at the beginning commissioned as a complement for an upcoming Blu-ray liberate of the seminal South Korean festival hit Oldboy, Han solar-hee's documentary proves to be tons more than the normal banal mix of archive footage and speaking heads. Clocking in at virtually two hours, historic Days is an expansive if no longer precisely sufficiently huge account of how director Park Chan-wook and his team produced a film which might finally propel South Korean cinema to unprecedented prominence on the movie festival circuit and also among overseas audiences.
simply as Park readies to unspool his newest film, The Handmaiden, in competition at Cannes, historic Days – which bowed at the Jeonju international movie competition on April 29 – offers a cannily timely recollection of how Park and his forged and crew blazed a trail with a crazily formidable (and means over-finances) neo-noir that ultimately won the Grand Prize on the Croisette in 2003. And it could have long gone a further manner: In an interview here, earnings agent Suh young-joo revealed how Oldboy was firstly provided a berth at the 2d-tier Un certain Regard sidebar at Cannes, and become best bumped up to the main competition later.
Of route Park and his stars are all latest here to discuss a film that amazed and intrigued in equal measures with its narrative (a man in search of revenge for being locked up in a room for 15 years), its visceral violence (the one-take fight between the protagonist and a military of thugs along a hall) and an incest-pushed twist. With Han accomplishing out to consist of a large choice of under-the-line crew – production designers, lighting directors, line producers, assistant directors – historical Days also serves as a valuable primer for aspiring filmmakers. Combining at the back of-the-scenes pictures from 2003 and newly recorded interviews, the documentary offers an in depth account of pre-construction (casting, storyboarding, designing) and the shoot itself, not to point out the frenzy-and-pull relationships between the producers and the creatives.
With a tune checklist in tv documentaries, Han manages to leap out of the field with stylized sequences mirroring the stylized content being mentioned here. For the dialogue of Oldboy's perennially mobile camerawork, Han's crew follows producer Syd Lim on a walk-round of film locations on a Steadicam; whereas dissecting the film's meticulous creation design, flowing desktop-generated graphics pop up on screen. And in one of the documentary's funniest moments, Park is proven heading off attention from younger lovers simply as he remembers the challenges of controlling staring at crowds at out of doors shoots.
What old Days lacks, although, is the context of Oldboy's origins and affect. As a documentary about a movie described (by using Suh) as a "monster born out of the circumstances of the times", ancient Days on no account touches on the cultural and social environment that might have shaped each the film's creation and recognition in South Korea. Nor does the movie discover the influence of Oldboy's success on the South Korean film industry, or its contributions – for superior or worse – in consolidating extensively-circulated foreign perceptions of South Korean cinema as a hub for on-screen extremities. while offering an exciting ride throughout the past, historic Days might have been improved if those first rate instances had been conveyed as a harbinger of a radically altered latest and future.
production enterprise: undeniable Archive
Director: Han solar-hee
Producer: Juno Baek, Han solar-hee
Director of photography: Cho younger-jik, Kim Hyoung-jiu
Editor: Kim hyoung-jiu
tune: Kim Jun-seok
In Korean
No rankings; one hundred ten minutes
Tidak ada komentar:
Posting Komentar